If that is true why are release triggers predominantly found only on trap fields?
Seldom seen on skeet, sporting clays (typically here held by trap shooters), FITASC, etc??
Said differently, what is special about trap that brings a unique problem that is only solved with a release trigger, when ALL the other dirt bird sports use the same targets, the same shells, and often the same guns??
I have one possible explanation below.
Anyone who claims trigger freeze in trapshooting is a visual problem has the unenviable task of explaining how a release trigger eliminates the "visual" problem. So far, no one has done that. But, go ahead, you may as well take a shot at it if you want.
It can be a combination of causes, and while the brain is the main cause, the eyes have a part in it also. Jerry's explanation points that out. Pulling the trigger with one's eyes shut is not an option with flying targets, however.
The subconscious, responsible for the events leading up to a broken clay, can be overridden by the conscious, which has a tendency to (using a Navy term that despite the Freudian double entendre, does not refer in this instance to self pleasuring) "polish the torpedo". That is, the conscious mind is constantly trying to refine the "firing solution", and can cut the unconscious' firing decision off. Something is not quite right to the conscious, and it causes a "glitch in the system". We react in the amusing ways mentioned above, usually resulting in a lost bird.
So here's where the eyes' part of the fault for the missed clay comes in. The subconscious reacts much faster than the conscious. This is why a trained non verbal communications expert can find the real meaning behind verbal communications, because the fleeting gestures and faces a person makes are much harder to control, many do not even realize they are doing them. This is what separates a good actor from a great one.
The fly in the ointment is the conscious will send a message to "abort" firing after the subconscious has seen and corrected for whatever the conscious belatedly reacts to.
We've all had clays that, due to wind, either attempted orbit, or dove to the ground. When the subconscious stays in control, we usually hit them, more so the ones going up. When the conscious "panics" and takes over, it's more often a miss.
The eyes don't just send signals only straight back to the occipital cortex, they dump off signals to several other centers in the brain, and all of these areas process varying data: color, motion speed, etc. Then signals are sent to the muscles to cause the desired/needed action.
The more the conscious mind is repressed/ cut out of the process of a task it has repeatedly done successfully, the more success is attained using the subconscious, and yips, flinches, whatever you may call them, will disappear.
Have
I consistently achieved that yet? No. But when I allow my subconscious to guide the process of shooting a a clay, I hit. The hard part is letting go of conscious control and letting the subconscious do what it already knows how to do to perfection.